How is Fine Bone China Made?
How is the fine bone china made?
The evolution of bone china design begins with a simple sketch. Once the design is complete on paper, the initial model is shaped by hand in Plaster of Paris. This is an incredibly skilled process, and takes over five years to learn the technique.
In a multi-stage process, quality raw materials are selected and crushed before being passed through a series of screens to remove any over or under sized particles. Next, water is added to the materials producing liquid clay, known as slip, and is now ready to be formed into the fine bone china pieces.
The flatware pieces such as plates and bowls are produced on a jigging machine. The hollowware pieces, such as jugs and cups, are formed by pouring the slip into two-part plaster moulds. Once dried, the pieces are removed and gently trimmed. The two pieces of clay are then painted with casting slip and put firmly together, eliminating any air.
The pieces, now known as greenwares, are supported on specially made setters, and placed in the kiln for the first firing at 1260°C. The bone china clay transforms into a white, translucent inert material with high-tensile strength, now known as “biscuit.” The product is then spray glazed with fritz, filling the pores with a glass like coating, ultimately resulting in a smooth, glassy surface.
How is the Pattern on the Fine Bone China Designed?
Our in-house design team derives its inspiration from many sources. The decoration on our fine bone china ranges from classical Palladian architecture, to 1950’s cake baking, to minimalist contemporary white bone china. There is an original William Edwards Home collection to complement every style of interior.
Each pattern starts with a simple sketch that gradually
becomes more detailed and is eventually refined on the computers in our digital
design studio. The selected designs are adapted to the individual pieces of
chinaware, and silk screens are then produced for each individual colour in the
pattern and printed onto lithograph paper. The lithographs are carefully slid off
the waterslide membrane and applied by hand to the blank fine bone china before
being fired in the kiln at 800°C for 16 hours.
The gold edging is then burnished using brushes on a polishing machine, then, the back stamps are applied, stating the William Edwards name, the pattern, and where it was made. Finally, the pieces are fired in the kiln at 780°C for 16 hours. After a final scrupulous inspection, the items are packed into individual gift boxes and despatched to the customer.
Overall, the fundamental difference separating us from competitors is our attention to detail and our talented William Edwards in-house team who are at the cutting edge of design. This results in unique, quality products.
To find out more about the William Edwards Home collection, click here.
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